Early Guitars and Vihuela

A network for historic guitars and vihuelas

Gabriel Schebor
  • Male
  • Buenos Aires
  • Argentina
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Gabriel Schebor's Friends

  • Cristiano Arata
  • Alexander Lowe
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  • Cristian Gutiérrez
  • Vladimir Ondrejcak
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  • Sinier de Ridder
  • Thomas Schmitt
  • Luka Vlašić
  • Fernando Lewis de Mattos
  • Jose Verdi
  • Kenneth Sparr
  • ROY Jean-Bernard
  • lola costoyas
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Gabriel Schebor's Discussions

Austrian music for baroque guitar

Started Oct 18, 2011

 

Gabriel Schebor's page

Latest Activity

Gabriel Schebor replied to Martyn Hodgson's discussion Sequence of publication of the 'Journal de musique étrangère pour la guitare ou lyre'.
"Dear Martyn I hope you did receive the files now. Please, let me know. Best wishes! Gabriel"
Sep 21
Gabriel Schebor replied to Martyn Hodgson's discussion Sequence of publication of the 'Journal de musique étrangère pour la guitare ou lyre'.
"Dear Martyn, I sent you the stuff I have, some days ago. Please check your Spam folders. In case you did not receive the files at all, please, let me know and I will send you back the files. Best wishes Gabriel"
Sep 16
Gabriel Schebor replied to Martyn Hodgson's discussion Sequence of publication of the 'Journal de musique étrangère pour la guitare ou lyre'.
"Thank you for your contribution, Jelma! I hope Sebastian will have your guitar ready soon! ¿where did you get the articles by Eric Stenstadvold? Best wishes!"
Sep 13
Gabriel Schebor replied to Martyn Hodgson's discussion Sequence of publication of the 'Journal de musique étrangère pour la guitare ou lyre'.
"I agree completely with your analysis. I would just add a small quote: perhaps you already know the guitar works kept in the Biblioteca Histórica Municipal de Madrid. If you don't, I would strongly suggest you to see their website (some…"
Sep 9
Gabriel Schebor replied to Martyn Hodgson's discussion String tension on late 18thC Spanish six course guitars
"Dear Martyn, thank you for your detailed answer! I think your option regarding 4th course is probably better than mine. But I don't have the proper strings to change now (I live in Buenos Aires, and it is expensive and complicated to buy lute…"
Sep 9
Gabriel Schebor replied to Martyn Hodgson's discussion String tension on late 18thC Spanish six course guitars
"I have a replica of Juan Pagés 6 course guitar of 1808 (currently in Brussels MIM, 64cm s.l.) and after experimenting for some months, I arrived to a rather satisfactory stringing arrangement which consists in gut strings for 1,2,3rd courses…"
Sep 4
Gabriel Schebor replied to Martyn Hodgson's discussion Sequence of publication of the 'Journal de musique étrangère pour la guitare ou lyre'.
"Dear Martyn, thank you for getting into this rich subject. I think that this collection has the amazing feature of gathering music from 2 different generations of guitarists related to Spanish context. Some works are clearly linked to a late baroque…"
Sep 4
Thomas Schmitt and Gabriel Schebor are now friends
Aug 28

Profile Information

About me:
Born in 1965, in Buenos Aires, Argentina
He studied with Graciela Pomponio, Dolores Costoyas and Víctor Villadangos in Buenos Aires, where he obtained his Diploma in classical guitar. In 1994, he gained interest in early music, specializing on lute, theorbo, baroque guitar and thorough bass.
He studied this instruments with Eduardo Egüez, Dolores Costoyas, and Hopkinson Smith.
He has been playing theorbo, baroque guitar and lute with leading groups of Argentina, Uruguay and France as Ensemble Louis Berger (Latin American Baroque), Ensemble Elyma (Latin American and early Italian Baroque), Ensamble Sine Nomine (XVII Century Music with singers), De Profundis (choir from Uruguay), among others.
In 2000 he founded La Rosa Púrpura del Plata, devoted to Latin American Baroque music. In 2004, he founded “L’Accademia dei Filomusi” with Ana Paula Segurola, in Montevideo (Uruguay), and performed programs devoted to Latin American Baroque, and Early Italian Baroque.
Even as a soloist or as a continuo player, he has performed in concerts and recorded C.D.'s in Argentina, Brazil, Uruguay, Bolivia, Italy, Germany, Holland, England, Switzerland and France (including 4 CD’s with Ensemble Elyma, 1 with Ensamble Louis Berger and 1 with La rosa púrpura del Plata) . He teaches classical guitar in Conservatorio Provincial Juan José Castro (Buenos Aires), and gives private lessons of lutes, baroque guitar, vihuela , theorbo and thorough bass. He is regular professor for graduate courses in Universidad de la República (Uruguay).
Website:
http://www.gabrielschebor.com.ar

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Comment Wall (16 comments)

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At 0:56 on July 25, 2011, Francisco Hervás said…
Hola Gabriel, un placer también para mi conocerte y haber compartido tan interesantes jornadas en Gijón en torno a vihuelas, guitarras, laúdes y sidra. Un abrazo y espero que tengamos ocasión de encontrarnos de nuevo.
At 14:45 on December 7, 2010, Valéry Sauvage said…
Fine serie with the romantic guitar ! more please ;-)
At 7:49 on September 13, 2010, jean michel Catherinot said…
thank you very much. I am not quite sure on which stringing you use: 1 or 2 bourdons? Indeed it works very well.
Saludos
At 7:10 on September 12, 2010, Rocky Mjos said…
Hello Gabriel. Ning says you are supposed to be able to add a file (PDF or JPG, for example) to a text box by clicking on the "white page icon" at the top of a text box (where you would also see the Bold, Italic, Underscore, etc symbols). Then you would get a pop-up window to select the file for uploading on your own computer.
Unfortunately, when I tried to enter the text box on my page and upload another file, I do not see that "white page icon"--so I can't upload one myself!
I actually do see that icon in this Comment text box I'm typing into, but Comments eventually work their way off the visible part of a page -- not a good place to add it.
This problem may be Mac-related. When I first tried to upload using Safari I also did not get the "white page" upload icon, but I did get it using Firefox as a browser. I have written to the Ning Help desk, but they are very bust from the conversion to a paying model and I do not expect a quick reply.
-- R
At 8:51 on September 9, 2010, jean michel Catherinot said…
Dear Gabriel, can't find the Murcia's passacalles por la E. Could you send it for me? (obras... seem to be out of print for a long time, and no used book)
At 16:34 on August 18, 2010, jean michel Catherinot said…
Thanks for the invitation
At 2:52 on February 9, 2009, Juan Pablo Pira said…
El manuscrito de Manuel Álvarez tiene 10 folios en buena condición y uno o dos de los que no sobrevive nada utilizable. En algunas piezas la notación es muy precisa y en otras el ritmo está bastante mal anotado. Las piezas que coloqué son las de lectura más clara.
At 1:23 on October 12, 2008, Eloy Cruz said…
Hola. Lo interesante del saldivar 2 es que es para citara, un instrumento del que se sabe muy poco aun en españa para este periodo. Ademas parece tener un repertorio mas "mexicano" que "hispanico" en general: aparte de las usuales folias y pasacalles y pavanas, tiene piezas que se encuentran mencionadas en otras fuentes novohispanas, pero (creo) no en fuentes de otras partes del imperio español, como tocotines, puertorricos, chiqueadores, etc., y algunas piezas con nombres distintivamente mexicanos, como el guasteco. Lo malo es que la escritura solamente da un perfil melodico sin notacion ritmica y en ocasiones apenas unos cuantos acordes. Lee es compositor y muy imaginativo, asi que sus versiones (como suelo decir) reflejan tanto el contenido del codice como el talento creador de Lee...
Ya vi el CD a la venta en amazon de alemania, pero cuesta como 20 euros, lo que me parece un poco caro, ciertamente no lo voy a comprar....

en cuanto mi amigo Leopoldo me diga la direccion del cervantino, te la paso


saludos


eloy
At 4:46 on October 11, 2008, Eloy Cruz said…
Que tal Gabriel

En el disco que hicimos en alemania pusimos basicamente musica del codice saldivar 4 y del saldivar 2, para citara, en arreglos, o mas bien reconstrucciones, de Lee Santana. Este codice 2 es un ms. del xvii o algo asi y parece un cuaderno de apuntes, con piezas apenas dibujadas con unas pocas notas y acordes, asi que la musica se tiene re rehacer. Lee dice que le gusta mucho el disco, pero yo no lo he oido...
ya pude entrar a la pagina que mencionas y por supuesto me parece excelente. Tambien pude ver varios de los videos de youtube. Es terrible este youtube, casi nunca habia entrado, se puede uno pasar todo el dia viendo videos de cosas cada vez mas raras...
Yo no conecte el proyecto del cervantino, lo hizo mi colega Leopoldo y ya le escribi pidiendole la direccion de la gente del festival, en cuanto me la de te la paso. Lo de Morelia no me extraña, todo parece estarse cancelando en este pais, como te digo, yo empece a 100 por hora y luego todo se detuvo...


saludos


eloy
At 6:25 on September 26, 2008, Eloy Cruz said…
Hola Gabriel
Si, he participado en un par grabaciones con mi grupo de musica barroca La Fontegara y con Continuo, junto con un grupo aleman que se llama Los Otros, con ellos (nosotros y Los Otros) vamos a presentar el disco en octubre. Tambien en octubre hacen aqui un festival que se llama Cervantino y alli vamos a tocar un concierto con Hesperion XXI, creo que va a estar interesante. Este año ha estado para mi al reves que el tuyo: empezó a todo vapor, creo que toque mas conciertos en cinco meses que en 2007, y luego las actividades se acabaron... asi pasa.
Fui a la pagina que mencionaste pero no pude cargarla, algo sucedio....


saludos


eloy
 
 
 

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