"Thank you for your answer. I would be very grateful for your translation. If you don't want to upload it here, I can send you my mail address."

"In reply to your message which seems to be at the bottom of this page, the straight line is a bit ambiguous because he uses it under single notes as well as groups of two or three notes. E.g. at the end of the double to the courante - on p. 31 in…"

"In reply to your message which seems to be at the bottom of this page, the straight line is a bit ambiguous because he uses it under single notes as well as groups of two or three notes. E.g. at the end of the double to the courante - on p. 31 in…"

"Monica Hall and Lex Eisenhardt, thank you for an interesting discussion. I have been too busy to read it carefully until now. I have two questions: 1. Lex, you say: “Therefore I suppose the vertical line just applies for the lowest notes of…"

"Spanners can be useful though. I was referring to downstrokes without a sign. But yes, if there is a sign ­on ½ notes and dotted ¼ notes we could of course consider to include the third finger as well. However, I should say I have…"

"Sorry if I am throwing a spanner in the works but De Visée has not said that downstrokes with a sign ­on ½ notes and dotted ¼ notes are to be played = m-i-p. He has said “it is necessary to run the fingers of the right…"

"To clarify my point, the great majority of downstrokes are at ¼ notes and ⅛ notes. Like with upstrokes, this does not allow you to use more than one finger.  With ½ notes and dotted ¼ notes without a sign one could…"

"Are there other options?  I don't think there are upstrokes with a sign. "