A network for historic guitars and vihuelas
Started this discussion. Last reply by Jelma van Amersfoort Jun 7, 2011.
Started this discussion. Last reply by Monica Hall Jan 5, 2014.
Started this discussion. Last reply by Chris Despopoulos Oct 10, 2010.
Switch to the Mobile Optimized View
© 2024 Created by Jelma van Amersfoort. Powered by
Comment Wall (11 comments)
You need to be a member of Early Guitars and Vihuela to add comments!
Join Early Guitars and Vihuela
Thank you Chris.
Greetings.
Alexandros.
Hi Chris thanks for accepting my request. I met Gerardo a few years here in Mexico City, He's a very good teacher, by the way Gerardo will offer a course in november in the Cenidim, I dont know the topics or the accurate date yet.
Your guitar looks very nice, I have played two guitars constructed by Carlos Gonzalez, their instruments has a very good sound. I hope one day to buy instruments of Francisco Hérvas, those are excellent too, do you know his work?
About my recordings in Myspace I need to make a new ones, those are old; in the next days I will hear your recordings.
Greetings
Una pregunta ¿Qué bibliografía y repertorio conoces para la mandora? ¿Se toca también con pluma?
Un saludo.
Rob
I'm new to baroque guitar too and with the same questions you have about stringing. The discussions you started have been very useful to me.
I think Sanz sound better without the "bordones" too.
I've found here in this network very good example of Sanz layed without bordones. Go to Xavier's profile and check his website. There are some great recordings there and you can find more on youtube (only audio).
He uses the high g on the third too in the capricho arpeado and sounds great.
But I know that that is a lot to ask in the cruel world of early instruments. ;)
Jamie
View All Comments