Early Guitars and Vihuela

A network for historic guitars and vihuelas

Lars Hedelius-Strikkertsen
  • Denmark
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Lars Hedelius-Strikkertsen's Friends

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Lars Hedelius-Strikkertsen's Discussions

basso continuo on the baroque guitar.
10 Replies

I'm interested in knowing how to arrange a song with basso continuo onto the baroque guitar. Is there some articles or book on the subject.Continue

Started this discussion. Last reply by Lars Hedelius-Strikkertsen Apr 29, 2016.

the history of the guitar strings
2 Replies

In my search for new stringmakers I've come across different types of strings.Escpecially the bass strings with a gut core instead of silkthreads.Does anyone knows about the authenticity of the…Continue

Started this discussion. Last reply by Lars Hedelius-Strikkertsen Oct 21, 2013.

Sor technique op 22
5 Replies

line 6, bar 3.I'm curious to know if anyone has a suggestion how to performe this and what kind of technique is to be used.When i play it I stroke the first chord with my thumb and then pluck the two…Continue

Started this discussion. Last reply by Lars Hedelius-Strikkertsen Aug 18, 2013.

19th century music for mandolin and guitar
2 Replies

Well the title says it all.Looking for 19th century music for mandolin and guitar.I have tried google but its so much easier to ask the experts in this forum :-)I have the music by Bortolazzi, but…Continue

Started this discussion. Last reply by Lars Hedelius-Strikkertsen Jun 11, 2013.

 

Lars Hedelius-Strikkertsen's Page

Latest Activity

Lars Hedelius-Strikkertsen replied to David Norton's discussion Early 19th C scordatura
"sometimes i sit down and look through a lot of music on the web :-) and i just came across it. I have been playing it. Its ok music"
Nov 25, 2016
Lars Hedelius-Strikkertsen replied to David Norton's discussion Early 19th C scordatura
"youre welcome :-)"
Nov 24, 2016
Lars Hedelius-Strikkertsen replied to David Norton's discussion Early 19th C scordatura
"Following this link http://musikverket.se/musikochteaterbiblioteket/ladda-ner-noter/boijes-samling/boijes-samling-c/ will get you to op. 12 by Carcassi. Three themes with variations. The last is with 6th tuned in D"
Nov 23, 2016
Lars Hedelius-Strikkertsen replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"ok. Thanks Jelma :-)"
Apr 29, 2016
Jelma van Amersfoort replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"Hi Lars, don't worry about playing bass notes that are too low an octave higher. That is necessary and normal. "
Apr 29, 2016
Lars Hedelius-Strikkertsen replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"Thanks Bill. That makes good sense :-) I'm actually been thinking in that way too."
Apr 28, 2016
Bill Brettschneider replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"Murcia "resumen de acompanyar."  Gaspar Sanz also deals with it a bit. I know it can be tempting to write out a keyboardist style part, but I think a strong case can be made for turning a basso line into a simple strummed…"
Apr 28, 2016
Lars Hedelius-Strikkertsen replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"nice. Thank You."
Apr 25, 2016
George Foster replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
Apr 24, 2016
Lars Hedelius-Strikkertsen replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"Thanks Stuart"
Apr 24, 2016
Stuart Walsh replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"Lars, Editions Chanterelle published this facsimile some years ago....how to play  a 'true Base  upon the Guitarre' (1682)"
Apr 22, 2016
Lars Hedelius-Strikkertsen replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"I have both books by Tyle and the Guide to seventeenth ... I just wanted to se some examples of how to play from a figured bass, and what to do when the bass notes is deeper then the baroque guitar."
Apr 22, 2016
Elmar Driver replied to Lars Hedelius-Strikkertsen's discussion basso continuo on the baroque guitar.
"Probably you already know "A guide to playing the baroque guitar" by James Tyler. On pages 27, 28 there is "A note to basso continuo" and James Tyler recommends as an overview Jack Ashworth and Paul O'Dette's chapter…"
Apr 21, 2016
Lars Hedelius-Strikkertsen posted a discussion

basso continuo on the baroque guitar.

I'm interested in knowing how to arrange a song with basso continuo onto the baroque guitar. Is there some articles or book on the subject.See More
Apr 21, 2016
Monica Hall and Lars Hedelius-Strikkertsen are now friends
Dec 16, 2015
Lars Hedelius-Strikkertsen commented on Lars Hedelius-Strikkertsen's photo
Thumbnail

Playing

"thank you Mario."
Nov 25, 2015

Profile Information

About me:
I play in this guitarduo called Duo Historico. We play early romantic guitars with gut strings, with 19th century musicstand, and stools and in 19th century clothes
Website:
http://duohistorico.dk

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Comment Wall (14 comments)

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At 19:38 on September 10, 2014, Lars Rosager said…

Hi, Lars!  I am technically Danish--my father is of full Danish heritage, making me 50%.  I know only a few words on the language, unfortunately.  I hope to keep up with your activity through the EarlyGuitar forum here.  Tusen tak!

-LCR-

At 13:39 on March 13, 2012, Valéry Sauvage said…

Hi Lars, Sylvie Simon (guitar straps) try to contact you but unfortunatly she lost your mail adress, please contact her.  Sylvie SIMON [sylviesimon95@yahoo.fr]

Regards,

Valéry

At 13:17 on October 28, 2011, Morten Dyrberg said…

Hej Lars!

Selv tak for sidst.

Du må komme forbi og høre noget baroklut en dag.

Tænker også på om jeg ikke skulle lave en koncert i Møstinghus på et tidspunkt.

Ha det godt og lad os da snakkes ved!

Morten.

At 20:52 on August 23, 2011, Jan Burgers said…

Hi Lars. Thanks for the quick reply! I know the copy from the Boije collection; that is from the Leipzig edition. The number 1795 at the bottom of the pages is not the year, but the plate number: music publishers numbered the plates on which their editions were engraved, and that is how one (sometimes) can date them.

By the way, I very much like the sound of your guitar. Gut strings really make a world of difference.

At 18:36 on May 9, 2011, Jelma van Amersfoort said…
At 11:36 on March 7, 2011, Gavin Cawley said…
I think the instrument in the picture may be a viola da mano (e.g. http://www.vihuelademano.com/viola-da-mano/duo-viola-da-mano.htm) as there appears to be a viol style cut out in the body between the upper and lower bouts, just visible above the players right wrist.
At 18:53 on March 6, 2011, Jelma van Amersfoort said…
Hello Lars, I think I just sent you a rather garbled message, so I try again. I mostly accompany a few good singers, and besides that I try to limit the playing to short projects, or I would go crazy. I agree with you that the late 18th and early 19th century are a fascinating time, so many revolutions happening, socially, politically, artistically... and the guitar right in the middle of all that! Anyway, I loved your videos, very stylish, and I hope you keep us posted with new duo developments. J.
At 16:43 on March 6, 2011, Kernoa Patrig said…
Bien amicalement, et bravo pour les propositions musicales.
At 9:37 on March 6, 2011, Peter Forrester said…
Not a bandora - although it has similarities. Quite definitely a cittern, probably French, but it could also be Swedish, German, even Italian. The sitter, Carl Michael Bellman, 1740-1795 composed, and played, a very large number of songs with cittern accompaniment, and his first cittern was apparently brought back from Italy by his grandfather. My information comes from a friend in France. There is apparently a website - www.proprius.se/bellman.html ; at least one book, by Poul Austin Britten; and 'a lot' of CDs in Swedish and Danish; one by Martin Best 'To Carl Michael with Love'. I recently got a very nice CD of which approximately half the tracks are by Bellman, by Jakob Lindberg, with Anna Emilsson, voice. The Bellman tracks are played on an original French cister, not unlike the one in the painting, by Delaplanque 1776 - Svenska Sanger, Aterspeglingar, todoproduction 2007 TOP01.
At 5:03 on March 6, 2011, Scot Tremblay said…

Lars, I believe the instrument in the photo is a Bandora. See here: http://www.cs.dartmouth.edu/~lsa/aboutLute/Bandora.html

 

 
 
 

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