I have a problem with the rasguado section from bars 35 - 38 in this piece. In my tablatures (from Gavin Emery's web site "The Baroque Guitar" ) the ups and downstrokes are indicated with arrows, but often I find them a bit unnatural. Am I free to work out my own system that feels natural to me? Can I use 3 or 4 finger rasguados? I also feel that striking all the open strings in some of the chords creates a disharmony, and I wonder how I might solve this problem.