Early Guitars and Vihuela

A network for historic guitars and vihuelas

Jelma van Amersfoort's Discussions (311)

Discussions Replied To (291) Replies Latest Activity

"Hi Lars That sounds like a fabulous piece. I'll look around and let you know if I fi…"

Jelma van Amersfoort replied Jun 8, 2011 to Please help me

4 Jun 16, 2011
Reply by mario carreira

"I don't mind, as long as the event is (partly) about early guitars or vihuelas!"

Jelma van Amersfoort replied Jun 7, 2011 to Is it appropriate to post music festivals in the calendar?

4 Jun 7, 2011
Reply by Jelma van Amersfoort

"RSIM has a vocal piece: Lamentacion segda de el Jubes Sto, con viols y tromps, para…"

Jelma van Amersfoort replied May 30, 2011 to Sources of Music by Fernando Ferrandiere

3 Jun 22, 2011
Reply by Jelma van Amersfoort

"Nice pictures, Scot, thanks!"

Jelma van Amersfoort replied May 30, 2011 to Stauffer Build Photos.

1 May 30, 2011
Reply by Jelma van Amersfoort

"I received a message from the lutelist today, so I guess it's still there. Maybe the…"

Jelma van Amersfoort replied May 19, 2011 to What's happened to Wayne's lists?

3 May 20, 2011
Reply by Roman Turovsky

"Hi Andrew, I play romantic guitars with gut strings and producing harmonics is quite…"

Jelma van Amersfoort replied May 11, 2011 to Modes according to Milan ??

31 Jul 12, 2011
Reply by Juan Pablo Pira

"I suppose you have seen Lady Waldegrave?"

Jelma van Amersfoort replied Apr 18, 2011 to Guitars in England 1795-1835

23 Jan 21, 2012
Reply by Dr. Christopher Page

"Dear Christopher, this is a fabulous place to start: http://www.klassiskgitar.net/im…"

Jelma van Amersfoort replied Apr 18, 2011 to Guitars in England 1795-1835

23 Jan 21, 2012
Reply by Dr. Christopher Page

"Gorgeous!"

Jelma van Amersfoort replied Apr 10, 2011 to the Aguado room

9 Apr 21, 2011
Reply by Hans Kockelmans

"@Hans, that occurred to me too, the lyre thing. I'll keep you guys posted about the…"

Jelma van Amersfoort replied Apr 10, 2011 to The way of holding the guitar

42 Apr 20, 2011
Reply by Scot Tremblay

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