Early Guitars and Vihuela

A network for historic guitars and vihuelas

La concertista María Esther Guzmán probando una guitarra romántica copia de José Pernas 1838 construída por el guitarrero granadino Aarón García Ruiz

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Comment by Tonyyyy on November 28, 2013 at 1:12

Brava Maestra! Y guitarra preciosa

Comment by Aarón García Ruiz on November 24, 2013 at 16:36

The guitarist tested five classical and romantic guitars the same day that she gave a concert in the Festival. She randomly played what she wanted and I recorded with my phone some pieces. She was student and friend of Segovia and the Guitar Festival is done for 29 years in the town where he lived his last years Andrés Segovia, La Herradura (Granada, Spain).

Comment by Jelma van Amersfoort on November 24, 2013 at 15:20

I think the musician was just trying the guitar at the festival, not doing a public performance...

Comment by Diego Cantalupi on November 24, 2013 at 14:31

Why The Frescobalda? A baroque piece for harpsicord transcribed by Segovia?

The sense of playing a historical guitar should be to play the repertoire of the same time the guitar was built...

Comment by Aarón García Ruiz on November 23, 2013 at 10:00

Hello Jelma, I donate this guitar to the competition for awards. The soloist is an incredibly good guitarist of Seville. As always I must thank you for your comments.

Comment by Jelma van Amersfoort on November 22, 2013 at 23:19

Hello Aaron, that is a fabulous sounding guitar and a very good player! Congratulations :-)

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