Although they might be in the same key, I think Valdambrini likely thought of them as separate pieces. He actually uses the term "Partita" when he follows a dance with a variation. His 5th, 9th, 10th, and 12th Corrente, for example, are all followed by a single "variation" marked "Partita". The original dance and the Partita are all written in AABB form, assuming those are repeat signs.
But if you like grouping them, I'd say just do it!
Early Guitars and Vihuela
A network for historic guitars and vihuelas
Beth Alexander's Comments
Comment Wall (2 comments)
You need to be a member of Early Guitars and Vihuela to add comments!
Join Early Guitars and Vihuela
Hello, Beth.
Although they might be in the same key, I think Valdambrini likely thought of them as separate pieces. He actually uses the term "Partita" when he follows a dance with a variation. His 5th, 9th, 10th, and 12th Corrente, for example, are all followed by a single "variation" marked "Partita". The original dance and the Partita are all written in AABB form, assuming those are repeat signs.
But if you like grouping them, I'd say just do it!
HI Beth, welcome to the EG&V network!
Welcome to
Early Guitars and Vihuela
Sign Up
or Sign In
© 2024 Created by Jelma van Amersfoort. Powered by
Badges | Report an Issue | Terms of Service