Early Guitars and Vihuela

A network for historic guitars and vihuelas

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Comment by Akira Sakamoto on July 21, 2011 at 23:24

It is always nice to see inside of the guitar.  Thank you for sharing these images, Peter!

 

The labal inside looks very familiar to me.  :D

Comment by Peter Forrester on July 16, 2011 at 18:26
I have to confess that I have only seen this in photographs, in particular of the G.C. guitar in Paris, but it is also apparently (not easy to draw!) shown in at least one Sellas drawing.  The Voboams use something similar, but with the wedge seemingly reduced to a minimum - I always retain the full wedge.  I find it good also for my bandoras and orpharions.
Comment by Scot Tremblay on July 16, 2011 at 16:29
Interesting photo series Peter. Are the wedges as Sellas would have done or your innovation? I know a number of modern makers that do the same thing so I'm just curious if it's a historical technique. Either way, it's a slick way to make a nice joint for the sides to neck.
Comment by Peter Forrester on July 16, 2011 at 15:42
Sellas-style neck joint using wedges and a short slipper-foot which rests upon "dead-wood" occupying a notch cut from the mould.

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