Hej igen Trond, I would be very interested of those pieces from Hertzberg you play on the video. BTW, have you seen those baroque guitar pieces I have tabulated in Rob's site?
Hej igen Trond, I enjoyed very much your arrangement of de Visée's Muzette. Would you be so kind and give me your arrangement. This piece has been one of my alltime favourites over 20 years. I've been playing it with theorbo, baroque lute and 10c lute, and it would be nice to play it with guitar too. Your arrangement suits very well to the guitar. Timo
Tusen tack, Trond.
I din't know that de Visée made a guitar version of it. BTW, I did the same kind of re tabulation project to quite a bunch of anonymous French guitar pieces. They are in Rob's site.
Har det bra,
Timo
Thanks Trond. Arde is a beautiful piece. I first heard old Julian Bream play it many, many years ago.
Pavanas: I have thought for many years that there is still a modern classical guitar hangover with that piece - the ''slow and stately'' sarabande-type approach, which is really an English and French invention. The Spanish pavanas has always struck me as being faster - think of Luys Milan's pavans: not at all slow. I think Sanz inherited that aesthetic. I've just tried to play it slow, but it just doesn't seem to work, for me at least. I know most people are disturbed by the speed I take it, but thank God we don't all play the same way. What a boring world that would be!
Strumming is obviously important in the baroque guitar performance practice, maybe even the cornerstone to the whole repertoire, so it would be good if we could all practice it as much as we practice the solo pieces. I have sympathy with you - some of these strums are very difficult to do effortlessly, anything less sounds completely wrong. I have two or three strumming techniques which I do all the time, but there are many I find difficult if not impossible. I used to play with Steve Player, who I think is the best rhythm guitarist I've ever heard. He tried to slow down what he was doing so that I could copy, but I just couldn't get it. On the other hand, not literally, he couldn't do some of the things I was doing. So, we've all got something to offer. Keep recording those videos!
BTW, your 'arrangement' of the de Visee Muzette is going straight into my repertoire. Many thanks for posting it! If you want, I could type it out with Fronimo and put the pdf on my website?
Hej Trond.
As Rob wrote to you,I tabulated your arrangement of Muzette with Fronimo. I will also tabulate the other pieces you sent to him. Is it ok if we put them in Rob's site?
TImo
Trond, I've put all your videos on the Vimeo francesco channel. And I've also uploaded Timo's typesetting of your baroque guitar arrangements onto my scores page: www.rmguitar.info/scores.htm
Thank you Rob, they look nice in Fronimo. Timo has done a fine job, there,s one mistake in the Chaconne. In bar 18 all the letters are placed one line too low.
Did you really mean all my videos, it's 29 in all.
Juan Pira's discussion on finding scores has created a nice improvement to our Ning group. There is now a new menu tab, a listing of scores, and links to the various member pages where the scores can be found. For the time being I will be maintaining the the score list. I see that you have removed some of your new editions. Let me know if you have any suggestions/corrections for improving the list.
I love your interpretation of Fantasia I by Luys Milan - it's one of my favourite pieces and you really capture the "fantasia" feel to it with a powerful improvisational rhythm. In other words - it was great! ;).
What instrument was it played on?
Do you know what instrument it was intended for?
Hi Trond, nice playing, nice guitar, and interesting visuals there. What program do use for your videos? Is that one where you can add the audio to the visual?
Timo Peedu
May 22, 2008
Trond Bengtson
May 22, 2008
Timo Peedu
May 25, 2008
Timo Peedu
I din't know that de Visée made a guitar version of it. BTW, I did the same kind of re tabulation project to quite a bunch of anonymous French guitar pieces. They are in Rob's site.
Har det bra,
Timo
May 26, 2008
Rob MacKillop
Pavanas: I have thought for many years that there is still a modern classical guitar hangover with that piece - the ''slow and stately'' sarabande-type approach, which is really an English and French invention. The Spanish pavanas has always struck me as being faster - think of Luys Milan's pavans: not at all slow. I think Sanz inherited that aesthetic. I've just tried to play it slow, but it just doesn't seem to work, for me at least. I know most people are disturbed by the speed I take it, but thank God we don't all play the same way. What a boring world that would be!
Strumming is obviously important in the baroque guitar performance practice, maybe even the cornerstone to the whole repertoire, so it would be good if we could all practice it as much as we practice the solo pieces. I have sympathy with you - some of these strums are very difficult to do effortlessly, anything less sounds completely wrong. I have two or three strumming techniques which I do all the time, but there are many I find difficult if not impossible. I used to play with Steve Player, who I think is the best rhythm guitarist I've ever heard. He tried to slow down what he was doing so that I could copy, but I just couldn't get it. On the other hand, not literally, he couldn't do some of the things I was doing. So, we've all got something to offer. Keep recording those videos!
BTW, your 'arrangement' of the de Visee Muzette is going straight into my repertoire. Many thanks for posting it! If you want, I could type it out with Fronimo and put the pdf on my website?
May 27, 2008
Rob MacKillop
May 27, 2008
Timo Peedu
As Rob wrote to you,I tabulated your arrangement of Muzette with Fronimo. I will also tabulate the other pieces you sent to him. Is it ok if we put them in Rob's site?
TImo
May 27, 2008
Rob MacKillop
May 28, 2008
Rob MacKillop
Jun 1, 2008
Trond Bengtson
Did you really mean all my videos, it's 29 in all.
Jun 1, 2008
Timo Peedu
Jun 1, 2008
Rob MacKillop
I've now put the correct version of the chaconne online.
Jun 1, 2008
Rocky Mjos
Jan 24, 2009
Jamie Holding
What instrument was it played on?
Do you know what instrument it was intended for?
Apr 17, 2009
Dominic Robillard
Jun 11, 2009