Hi Rob,
sorry couldn't find out much more about the Manchester Gamba Book except that it's 17th century (which is obvious!). I love the audio files which pop up on your page...especially the portuguese stuff!
Cheers,
Sam
I also have an Eastman 810 model -- not nearly as pretty wood as yours, though. My wife is a jazz singer and I get asked to accompany her occasionally. For fingerstyle I prefer my cutaway classical.
By the way, in the photograph we're aboard the TS "Golden Bear" (TS is an acronym of "training ship", of course) sailing in San Francisco Bay. The ship is used to train Merchant Marine students. Once a year the "Blue Angels" do a show over the Bay and the Merchant Marine invites the parents of the students to come aboard the ship and cruise out into the Bay to watch the air show. They hired us to make their experience complete with some tasteful riffing and mopping.
Yes, that's a 4-course Renaissance guitar by Daniel O'Keefe. If I'm smiling in the picture it must be because I'd just listened to your great strumming video : )
I've only just joined moments ago but noticed your comment about transcribing Kapsberger for baroque guitar. Have you ever looked at Valdambrini's two books, 1646 and 1647? They are a virtual mirror image of Kapsberger's style but on baroque guitar. I'd be happy to send them to you.
Hi Rob: It's a pleasure to join to network and to share ideas with other vihuelists. BTW, I heard some of your performances on Alexander Batov's website and was particularly impressed with "Canion del Emperador," perhaps my favorite piece by Narvaez. Cheers, Marc.
Last week I parted with my second 4c guitar. I've traded it with Regina Albanez, guitarist, vihuelist, theorbist in the Hague in exchange for lessons. She is one of the members in Musica Temprana performing a.o. early Peruvian/Bolivian music. I'm very happy to be able to get lessons from her. I hope she is equally happy with the guitar.
Thanks for the great music you posted. Beautifully played and a lot of "mad"strumming, I'm practising my strumming and hope one day to reach your level.
Fronimo and your website is a good idea. I post you 3 other pieces, masquarade and chaconne, both by Visee and "Homicide Courante de Debut" (Gaultier). This I found in a journal from the swedish guitar and lute society.
I agree, it should be mad strumming, at least at the end, but the truth is: I,m not good at strumming. I think of playing one of the canaries, then I must do something about it.
It's so nice to see you on video, two lovely pieces and beautiful played. First I was a bit surprised over the fast tempo of the pavanas but it works very fine.
I have been listening to Fuenllana and Narvaez and it's really beautiful, especially your interpretation of Arde, Corazon.
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A network for historic guitars and vihuelas
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Alexander
sorry couldn't find out much more about the Manchester Gamba Book except that it's 17th century (which is obvious!). I love the audio files which pop up on your page...especially the portuguese stuff!
Cheers,
Sam
Gary
gary
Gary
Gary
Gary Digman
Yes, that's a 4-course Renaissance guitar by Daniel O'Keefe. If I'm smiling in the picture it must be because I'd just listened to your great strumming video : )
Jocelyn
I've only just joined moments ago but noticed your comment about transcribing Kapsberger for baroque guitar. Have you ever looked at Valdambrini's two books, 1646 and 1647? They are a virtual mirror image of Kapsberger's style but on baroque guitar. I'd be happy to send them to you.
pat o'brien, nyc
masquarade_visee_barguitar.pdf
chaconne_visee_barguitar.pdf
homicide_dubut_barguitar.pdf
Fronimo and your website is a good idea. I post you 3 other pieces, masquarade and chaconne, both by Visee and "Homicide Courante de Debut" (Gaultier). This I found in a journal from the swedish guitar and lute society.
It's so nice to see you on video, two lovely pieces and beautiful played. First I was a bit surprised over the fast tempo of the pavanas but it works very fine.
I have been listening to Fuenllana and Narvaez and it's really beautiful, especially your interpretation of Arde, Corazon.
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