Hello, Rob,
sorry, I did not understand very well the purpose of the photos.
I'm glad to be part of this community.
I will try to gather photos of Brazilian instruments before Torres.
One question: I have played on an ensemble wich played medieval european music. Is it possible post some recordings? The same ensemble have registered some compositions of mine, with lute, recorder, portatif organ, cornamusa, etc. Do you think i't is possible post some recordingis of it?
By the way, I like your site Song of the Rose very much.
Thank you.
Fernando.
Thanks for pointing me to your mandore recordings... It's very nice. The french music I've been playing uses three different tunings, and I think one is the same as that for the Skene works. The Chancy tabelature has a wonderfully wide range, and while the pieces and instrument are miniature, I believe the music is just plain huge.
Hello Rob. Finally purchasing a guitar, and discussing of it with dear Sasha
( new vihuela probably next year). Where could we find the nice guitar pieces from a portuguese manuscript you play on your Vimeos? . I haven't talked recently with Jonathan, but is music you played with him "in the box"?
All the best
Thank you Rob. I've had this guitar for nearly 20 years. Recently I had the frets leveled and crowned. Now it is a pure joy to play. Have a great day! Bryan Prud'Homme
Hello Rob. I found the answers of my questions concerning vihuela on your site (reporting at Sasha Batov's workshop, which I found very useful and precise). A deeper reflexion on a Dias vihuela convinced me. So I've to convince my own government now!!
Thanks Rob. I want to upload more music, but apparently the program only take mp3s, as long as most of my itunes library is in mp4 format, the program says it's not acceptable. I'll try again, anyway...
congrat for your new recording!
In thinking about the member Profile Information, I wonder if it might not be useful/informative to have some more of that made public. The website info, for example, would direct users of the group to websites that have even more sound files, info, and scores. I'm thinking of your site(s) -- and maybe there needs to be a way to enter and display more than one. Monica also has much useful information. The Lute Ning displays what instruments a person plays, for example. I don't see a need for location -- that is already showing below our photo. Maybe there are other interesting sections that might be added.
A few months ago I delivered a paper at Caen University on the lute in Scotland and Ireland, and played a few Scottish pieces to academics - a bit of a missionary job there. More of it in Bordeaux in a few months, this time on the Scottish lute, for the benefit of colleagues working on things Scottish.
The lute is not quite a household name yet but it is comforting to see kids taking up the instrument at an early age and as their main instrument.
Your historical introduction to 'Music for the Lute in Scotland' is very interesting indeed, especially as it shows the cultural and musical extent of the 'Auld Alliance'
Could I pick your brains about some of the Scottish genres such as the 'Port' or the 'Lilt', specially with regard to performance ? There is a superb example of a 'port' in the' Straloch' book which probably calls for a slow tempo, being a sort of meditative piece; do you have any idea where the 'Port' originates from ?
Best regards,
Jacques
Yes, Rob --we do know each other from minstrel banjo and also from the cittern ning site.
We do have similar interests, don't we?
By the way, I found your post on "Preludes, cadences..." to be very interesting and informative. I'll respond to your post there after I'm done grading final exams and can think clearly again...
Another similarity for us: I find myself more and more interested in improvisation for these styles (19th c. etc.). For many years, I've been improvising preludes to the songs I do with Maggi and the solo pieces as well. Cadenzas -- where appropriate in solo and chamber music as well...
I have given workshops at the Cape Cod Mandolin Festival for the last two years in Improvising an 18th c. Style Prelude (2007) and Improvising in 19th c. Style (2008).
Thank you for the swift response, Rob.
I have closed my website for the moment as my Guru Son-in-law is rebuilding it! I have several bright sons-in-law, in fact I have ten grandchildren and they are all able to advise me about computer matters!
I love the EG and V site, especially your videos; they put me in mind of my early days. I studied the guitar in Madrid with some great masters. During that time I got to know the top-grade makers, as friends; people like Contreras, Manzanero, Ramirez, Conde brothers and Archangel Fernandez. Those were the days...
I am currently designing and making prototypes for several clients who are mass-producing GOOD QUALITY instruments, not the usual factory rubbish.
I am sure there will be opportunities to swap some stories.
Best wishes,
Zachary
Early Guitars and Vihuela
A network for historic guitars and vihuelas
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thank you for the information!
Fernando.
sorry, I did not understand very well the purpose of the photos.
I'm glad to be part of this community.
I will try to gather photos of Brazilian instruments before Torres.
One question: I have played on an ensemble wich played medieval european music. Is it possible post some recordings? The same ensemble have registered some compositions of mine, with lute, recorder, portatif organ, cornamusa, etc. Do you think i't is possible post some recordingis of it?
By the way, I like your site Song of the Rose very much.
Thank you.
Fernando.
Think I slipped down it a long time ago....
Cheers!
All the best
( new vihuela probably next year). Where could we find the nice guitar pieces from a portuguese manuscript you play on your Vimeos? . I haven't talked recently with Jonathan, but is music you played with him "in the box"?
All the best
congrat for your new recording!
best
eloy
Please send me your new address because I want to envoy you my book of Machete (from Madeira) with original music.
Best regards,
Manuel
Regards,
Jacques
A few months ago I delivered a paper at Caen University on the lute in Scotland and Ireland, and played a few Scottish pieces to academics - a bit of a missionary job there. More of it in Bordeaux in a few months, this time on the Scottish lute, for the benefit of colleagues working on things Scottish.
The lute is not quite a household name yet but it is comforting to see kids taking up the instrument at an early age and as their main instrument.
Your historical introduction to 'Music for the Lute in Scotland' is very interesting indeed, especially as it shows the cultural and musical extent of the 'Auld Alliance'
Could I pick your brains about some of the Scottish genres such as the 'Port' or the 'Lilt', specially with regard to performance ? There is a superb example of a 'port' in the' Straloch' book which probably calls for a slow tempo, being a sort of meditative piece; do you have any idea where the 'Port' originates from ?
Best regards,
Jacques
I just registered now on early guitars ning group! Great site and many fascinating music and files! Wonderful and thanks.
Ciao,
Damien
We do have similar interests, don't we?
By the way, I found your post on "Preludes, cadences..." to be very interesting and informative. I'll respond to your post there after I'm done grading final exams and can think clearly again...
Another similarity for us: I find myself more and more interested in improvisation for these styles (19th c. etc.). For many years, I've been improvising preludes to the songs I do with Maggi and the solo pieces as well. Cadenzas -- where appropriate in solo and chamber music as well...
I have given workshops at the Cape Cod Mandolin Festival for the last two years in Improvising an 18th c. Style Prelude (2007) and Improvising in 19th c. Style (2008).
Jim
P.S. Beautiful playing on your recordings!
I have closed my website for the moment as my Guru Son-in-law is rebuilding it! I have several bright sons-in-law, in fact I have ten grandchildren and they are all able to advise me about computer matters!
I love the EG and V site, especially your videos; they put me in mind of my early days. I studied the guitar in Madrid with some great masters. During that time I got to know the top-grade makers, as friends; people like Contreras, Manzanero, Ramirez, Conde brothers and Archangel Fernandez. Those were the days...
I am currently designing and making prototypes for several clients who are mass-producing GOOD QUALITY instruments, not the usual factory rubbish.
I am sure there will be opportunities to swap some stories.
Best wishes,
Zachary
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