Perez works found in Recueil des pieces de guitare 1729 - Early Guitars and Vihuela2024-03-28T14:42:25Zhttp://earlyguitar.ning.com/forum/topics/perez-works-found-in-recueil-des-pieces-de-guitare-1729?commentId=2111060%3AComment%3A74141&xg_raw_resources=1&feed=yes&xn_auth=noAs mentioned earlier, I foun…tag:earlyguitar.ning.com,2017-12-07:2111060:Comment:750312017-12-07T12:13:08.916ZMartyn Hodgsonhttp://earlyguitar.ning.com/profile/MartynHodgson
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<p>As mentioned earlier, I found Perez's flamboyant setting (in B-Bc 5.615) of the popular Marizapalos particularly intriguing (more florid in places than other surviving settings such as those by Guerau, Sanz, de Murcia and preserved in the Coimbra MS). However as given it's clearly flawed and I wondered if anybody had come up with a reasonable restoration.</p>
<p>So far there's been no offers so, if of any interest, here's my attempt. As explained in the brief notes on page 3, a…</p>
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<p>As mentioned earlier, I found Perez's flamboyant setting (in B-Bc 5.615) of the popular Marizapalos particularly intriguing (more florid in places than other surviving settings such as those by Guerau, Sanz, de Murcia and preserved in the Coimbra MS). However as given it's clearly flawed and I wondered if anybody had come up with a reasonable restoration.</p>
<p>So far there's been no offers so, if of any interest, here's my attempt. As explained in the brief notes on page 3, a reasonable restoration is possible because of the known harmonic structure of this baile and the existence of other settings in contemporary sources.</p>
<p>MH</p> I'll be interested to see wha…tag:earlyguitar.ning.com,2017-11-27:2111060:Comment:743312017-11-27T13:20:32.635ZMonica Hallhttp://earlyguitar.ning.com/profile/MonicaHall
<p>I'll be interested to see what you come up with and compare it with my version. To whet your appetite I have attached the piece from the Catalan ms.</p>
<p>I'll be interested to see what you come up with and compare it with my version. To whet your appetite I have attached the piece from the Catalan ms.</p> Thanks Monica.
In that case I…tag:earlyguitar.ning.com,2017-11-27:2111060:Comment:742312017-11-27T12:13:49.364ZMartyn Hodgsonhttp://earlyguitar.ning.com/profile/MartynHodgson
<p>Thanks Monica.</p>
<p>In that case I might draft a 'decoded' realisation of the Passacaille since I'm intrigued by the unusual setting.</p>
<p>Martyn</p>
<p>Thanks Monica.</p>
<p>In that case I might draft a 'decoded' realisation of the Passacaille since I'm intrigued by the unusual setting.</p>
<p>Martyn</p> Just for the record BLc…tag:earlyguitar.ning.com,2017-11-23:2111060:Comment:737542017-11-23T10:19:09.291ZMonica Hallhttp://earlyguitar.ning.com/profile/MonicaHall
<p>Just for the record BLc.Ms.245 Ms.S5615 Ms.II.5551D </p>
<p>Gigue [M.Perez] p.17 p.105 p.95 </p>
<p>Gigue [M.Perez] p.23 p.109 -</p>
<p>Passacaille Marizapalos p.48 p.102 p.93</p>
<p>[D.Michel Perez de Zavala] </p>
<p>Air[M.Perez]<a rel="nofollow" title="">[1]</a> …</p>
<p>Just for the record BLc.Ms.245 Ms.S5615 Ms.II.5551D </p>
<p>Gigue [M.Perez] p.17 p.105 p.95 </p>
<p>Gigue [M.Perez] p.23 p.109 -</p>
<p>Passacaille Marizapalos p.48 p.102 p.93</p>
<p>[D.Michel Perez de Zavala] </p>
<p>Air[M.Perez]<a rel="nofollow" title="">[1]</a> p.140 - -</p>
<p>Marche Dauphine - p.108 </p>
<div><br clear="all"/><hr align="left" size="1" width="33%"/><div><p><a rel="nofollow" title="">[1]</a> Original = LullyLWV 14/2 « Sommes-nous pas trop heureux belle Iris » </p>
<p>Trying to paste the table in may not have been very successful.</p>
<p>There is one more piece by Perez in E-BC Ms.M3658 - a Xicona. A transcription of this is in a music supplement to the Spanish periodical Hispanica Lyra.</p>
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</div> The pieces were originally in…tag:earlyguitar.ning.com,2017-11-22:2111060:Comment:740562017-11-22T17:37:26.362ZMonica Hallhttp://earlyguitar.ning.com/profile/MonicaHall
<p>The pieces were originally included in an earlier manuscript copied by Castillion - B-Lc Ms. 245 in about 1706. This ms. includes one additional pieces by Perez - with the title "Air". In the introduction to the later ms. Castillion says that his father studied the guitar with Perez whilst he was in Madrid as a diplomat in the 1690. Presumably Castillion got his copies of the pieces from his father. There are one or two other pieces by Perez in other mss. Can't remember which offhand. I made…</p>
<p>The pieces were originally included in an earlier manuscript copied by Castillion - B-Lc Ms. 245 in about 1706. This ms. includes one additional pieces by Perez - with the title "Air". In the introduction to the later ms. Castillion says that his father studied the guitar with Perez whilst he was in Madrid as a diplomat in the 1690. Presumably Castillion got his copies of the pieces from his father. There are one or two other pieces by Perez in other mss. Can't remember which offhand. I made a transcription of Marizapalos ages ago - it is handwritten. The March Dauphine is included in 19 Easy to intermediate pieces published by the Lute Society. I think you are right - the imprecise rhythm is the result of the ornaments being written out in full. I will have to leace it there for the time being.......</p> PS. Further to this: I forgo…tag:earlyguitar.ning.com,2017-11-22:2111060:Comment:741412017-11-22T11:46:38.749ZMartyn Hodgsonhttp://earlyguitar.ning.com/profile/MartynHodgson
<p>PS. Further to this: I forgot to mention that the peculiar seeming writing may also be to do with many ornaments being fully written out - or attempted to be - rather than the more usual shorthand signs commonly employed.</p>
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<p>MH</p>
<p>PS. Further to this: I forgot to mention that the peculiar seeming writing may also be to do with many ornaments being fully written out - or attempted to be - rather than the more usual shorthand signs commonly employed.</p>
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<p>MH</p>