basso continuo on the baroque guitar. - Early Guitars and Vihuela2024-03-29T11:02:00Zhttp://earlyguitar.ning.com/forum/topics/basso-continuo-on-the-baroque-guitar?commentId=2111060%3AComment%3A64850&feed=yes&xn_auth=nook. Thanks Jelma :-)tag:earlyguitar.ning.com,2016-04-29:2111060:Comment:648852016-04-29T16:51:09.935ZLars Hedelius-Strikkertsenhttp://earlyguitar.ning.com/profile/LarsHedeliusStrikkertsen
<p>ok. Thanks Jelma :-)</p>
<p>ok. Thanks Jelma :-)</p> Hi Lars, don't worry about pl…tag:earlyguitar.ning.com,2016-04-29:2111060:Comment:648812016-04-29T11:52:42.066ZJelma van Amersfoorthttp://earlyguitar.ning.com/profile/JelmavanAmersfoort
<p>Hi Lars, don't worry about playing bass notes that are too low an octave higher. That is necessary and normal. </p>
<p>Hi Lars, don't worry about playing bass notes that are too low an octave higher. That is necessary and normal. </p> Thanks Bill. That makes good…tag:earlyguitar.ning.com,2016-04-28:2111060:Comment:648792016-04-28T18:01:50.191ZLars Hedelius-Strikkertsenhttp://earlyguitar.ning.com/profile/LarsHedeliusStrikkertsen
<p>Thanks Bill. That makes good sense :-) I'm actually been thinking in that way too.</p>
<p>Thanks Bill. That makes good sense :-) I'm actually been thinking in that way too.</p> Murcia "resumen de acompanyar…tag:earlyguitar.ning.com,2016-04-28:2111060:Comment:650752016-04-28T13:31:27.133ZBill Brettschneiderhttp://earlyguitar.ning.com/profile/BillBrettschneider
<p>Murcia "resumen de acompanyar." </p>
<p>Gaspar Sanz also deals with it a bit. I know it can be tempting to write out a keyboardist style part, but I think a strong case can be made for turning a basso line into a simple strummed accompaniment. There were enough charts published linking each Bass note in a key with an alfabetto chord that it must have been at least one of the popular ways to do it. Looking at sources that supply both alfabetto and a basso line, sometimes the harmony suggested…</p>
<p>Murcia "resumen de acompanyar." </p>
<p>Gaspar Sanz also deals with it a bit. I know it can be tempting to write out a keyboardist style part, but I think a strong case can be made for turning a basso line into a simple strummed accompaniment. There were enough charts published linking each Bass note in a key with an alfabetto chord that it must have been at least one of the popular ways to do it. Looking at sources that supply both alfabetto and a basso line, sometimes the harmony suggested by the bass is quite different from what the guitarist would play. I have been working on some pieces by Domenico Obizzi, where this is sometimes the case. So I would say that as a starting point you consider the ensemble. Continuo is to support the other parts first and foremost, so I would do the simplest thing I can that doesn't get in the way of the other parts. </p> nice. Thank You.tag:earlyguitar.ning.com,2016-04-25:2111060:Comment:648602016-04-25T05:53:44.599ZLars Hedelius-Strikkertsenhttp://earlyguitar.ning.com/profile/LarsHedeliusStrikkertsen
<p>nice. Thank You.</p>
<p>nice. Thank You.</p> Digital facsimile of Matteis…tag:earlyguitar.ning.com,2016-04-24:2111060:Comment:651512016-04-24T20:52:36.605ZGeorge Fosterhttp://earlyguitar.ning.com/profile/GeorgeFoster
Digital facsimile of Matteis available here:<br />
<a href="http://www.bibliotecamusica.it/cmbm/viewschedatwbca.asp?path=/cmbm/images/ripro/gaspari/_K/K007/" target="_blank">http://www.bibliotecamusica.it/cmbm/viewschedatwbca.asp?path=/cmbm/images/ripro/gaspari/_K/K007/</a>
Digital facsimile of Matteis available here:<br />
<a href="http://www.bibliotecamusica.it/cmbm/viewschedatwbca.asp?path=/cmbm/images/ripro/gaspari/_K/K007/" target="_blank">http://www.bibliotecamusica.it/cmbm/viewschedatwbca.asp?path=/cmbm/images/ripro/gaspari/_K/K007/</a> Thanks Stuarttag:earlyguitar.ning.com,2016-04-24:2111060:Comment:648562016-04-24T20:47:16.370ZLars Hedelius-Strikkertsenhttp://earlyguitar.ning.com/profile/LarsHedeliusStrikkertsen
<p>Thanks Stuart</p>
<p>Thanks Stuart</p> Lars, Editions Chanterelle pu…tag:earlyguitar.ning.com,2016-04-22:2111060:Comment:651472016-04-22T18:11:36.246ZStuart Walshhttp://earlyguitar.ning.com/profile/StuartWalsh
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2167626025?profile=original"><img width="721" class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2167626025?profile=RESIZE_1024x1024" width="721"/></a>Lars, Editions Chanterelle published this facsimile some years ago....how to play a 'true Base upon the Guitarre' (1682)</p>
<p><a target="_self" href="http://storage.ning.com/topology/rest/1.0/file/get/2167626025?profile=original"><img width="721" class="align-center" src="http://storage.ning.com/topology/rest/1.0/file/get/2167626025?profile=RESIZE_1024x1024" width="721"/></a>Lars, Editions Chanterelle published this facsimile some years ago....how to play a 'true Base upon the Guitarre' (1682)</p> I have both books by Tyle and…tag:earlyguitar.ning.com,2016-04-22:2111060:Comment:650582016-04-22T08:14:41.471ZLars Hedelius-Strikkertsenhttp://earlyguitar.ning.com/profile/LarsHedeliusStrikkertsen
<p>I have both books by Tyle and the Guide to seventeenth ... I just wanted to se some examples of how to play from a figured bass, and what to do when the bass notes is deeper then the baroque guitar.</p>
<p></p>
<p>I have both books by Tyle and the Guide to seventeenth ... I just wanted to se some examples of how to play from a figured bass, and what to do when the bass notes is deeper then the baroque guitar.</p>
<p></p> Probably you already know "A…tag:earlyguitar.ning.com,2016-04-21:2111060:Comment:648502016-04-21T18:58:07.737ZElmar Driverhttp://earlyguitar.ning.com/profile/ElmarDriver
<p>Probably you already know "A guide to playing the baroque guitar" by James Tyler.</p>
<p>On pages 27, 28 there is "A note to basso continuo" and James Tyler recommends as an overview Jack Ashworth and Paul O'Dette's chapter "basso continuo" in "A performer's Guide to Seventeenth-Century Music" and Monica Hall's article "The Five-Course Guitar as a Continuo Instrument" in "Lute News. Another one: Nigel North's "Continuo Playing on the Lute, Archlute and Theorbo". On page 29 James Tyler gives…</p>
<p>Probably you already know "A guide to playing the baroque guitar" by James Tyler.</p>
<p>On pages 27, 28 there is "A note to basso continuo" and James Tyler recommends as an overview Jack Ashworth and Paul O'Dette's chapter "basso continuo" in "A performer's Guide to Seventeenth-Century Music" and Monica Hall's article "The Five-Course Guitar as a Continuo Instrument" in "Lute News. Another one: Nigel North's "Continuo Playing on the Lute, Archlute and Theorbo". On page 29 James Tyler gives an example and on pages 118-153 there is a chapter "Pieces for guitar and basso continuo".</p>