A question about Sanz and rasguado. - Early Guitars and Vihuela2024-03-29T00:24:48Zhttp://earlyguitar.ning.com/forum/topics/a-question-about-sanz-and-rasguado?commentId=2111060%3AComment%3A67068&x=1&feed=yes&xn_auth=noIt depends what sort of evide…tag:earlyguitar.ning.com,2016-08-09:2111060:Comment:670682016-08-09T15:50:27.217ZMonica Hallhttp://earlyguitar.ning.com/profile/MonicaHall
<p>It depends what sort of evidence you want. A strummed version of Canario is included in Ruiz de Ribayaz "Luz y Norte (1677) and in Murcia's versions in Codice Saldivar no. 4. It is really a mix and match situation. These little harmonic formulae are supposed to form the basis of improvisations...</p>
<p>It depends what sort of evidence you want. A strummed version of Canario is included in Ruiz de Ribayaz "Luz y Norte (1677) and in Murcia's versions in Codice Saldivar no. 4. It is really a mix and match situation. These little harmonic formulae are supposed to form the basis of improvisations...</p> Thank you for the answers!
Th…tag:earlyguitar.ning.com,2016-08-07:2111060:Comment:669152016-08-07T19:09:48.245ZOlav Fyllinghttp://earlyguitar.ning.com/profile/OlavFylling
<p>Thank you for the answers!</p>
<p>This explain many of the versions I have heard, but it's also usual to hear people playing a rasguado section in Canarios. It sounds well, but is there any evidences that this was done at the time of Sanz?</p>
<p>Thank you for the answers!</p>
<p>This explain many of the versions I have heard, but it's also usual to hear people playing a rasguado section in Canarios. It sounds well, but is there any evidences that this was done at the time of Sanz?</p> They probably get their inspi…tag:earlyguitar.ning.com,2016-08-06:2111060:Comment:671802016-08-06T11:25:15.180ZPeter Sinnaevehttp://earlyguitar.ning.com/profile/PeterSinnaeve
<p>They probably get their inspiration from Murcia as well; he often starts his Spanish dances with the theme in rasgueado style, followed by punteado variations, at least in the Saldívar manuscript.</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2167626033?profile=original" target="_self"><img width="721" src="http://storage.ning.com/topology/rest/1.0/file/get/2167626033?profile=RESIZE_1024x1024" width="721" class="align-full"/></a></p>
<p>They probably get their inspiration from Murcia as well; he often starts his Spanish dances with the theme in rasgueado style, followed by punteado variations, at least in the Saldívar manuscript.</p>
<p><a href="http://storage.ning.com/topology/rest/1.0/file/get/2167626033?profile=original" target="_self"><img width="721" src="http://storage.ning.com/topology/rest/1.0/file/get/2167626033?profile=RESIZE_1024x1024" width="721" class="align-full"/></a></p> Sanz includes a page of rasgu…tag:earlyguitar.ning.com,2016-08-05:2111060:Comment:670212016-08-05T19:18:18.504ZJuan Pablo Pirahttp://earlyguitar.ning.com/profile/JuanPabloPira
Sanz includes a page of rasgueado pieces right before his tablature pieces. Some of them are also included in the rasgueado section like Villano, Rujero, Paradetas, Folías, etc. I suppose some people play both pieces one after the other.
Sanz includes a page of rasgueado pieces right before his tablature pieces. Some of them are also included in the rasgueado section like Villano, Rujero, Paradetas, Folías, etc. I suppose some people play both pieces one after the other.